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♣️ ( como cadastrar brazino777 ) - ♣️ A artista e autora Faith Ringgold, conhecida ♣️ por seus tapetes narrativos que entrelaçavam arte com ativismo, morreu aos 93 anos. O falecimento de Ringgold, como cadastrar brazino777como cadastrar brazino777casa ♣️ como cadastrar brazino777 Nova Jersey no sábado, foi relatado primeiramente pelo New York Times.

♣️ "Faith deixa um legado impactante de ativismo e advocacia ♣️ pela diversidade e inclusão que marcou profundamente o mundo da arte, inspirando incontáveis outras pessoas a usaremcomo cadastrar brazino777voz como ♣️ ferramenta de mudança social", disse Dorian Bergen, Presidente das ACA Galleries, que representavam Ringgold há quase três décadas, como cadastrar brazino777 um ♣️ comunicado fornecido à como cadastrar brazino777 . "Sentiremos muitocomo cadastrar brazino777falta e continuaremos nos comprometendo a continuar essa legacy compartilhando seu ♣️ trabalho, filosofias e vida com o mundo."

♣️ Ringgold, nascida como cadastrar brazino777 1930 como cadastrar brazino777 Harlem durante o Renascimento de Harlem, draws inspiration from ♣️ the tumultuous social realities she lived through. As a student, her formal initiation in the arts was almost curtailed by ♣️ the City College of New York's regulations of the time, which restricted women to specific majors - art not being ♣️ one of them. However, Ringgold's determination led her to strike a deal with a school administrator: her art studies were ♣️ contingent upon primarily enrolling in the school of education, where women were allowed. ♣️

After earning her bachelor's degree in fine art ♣️ and education in 1955, Ringgold began teaching art in public schools while developing her own art. She later received a ♣️ master's degree in art from City College in 1959. Her early work was influenced by civil and racial unrest, and ♣️ had powerful political and social tones.

Série "The American People"

♣️ Entre 1963 e 1967, Ringgold portrayed fraught race relations in America in ♣️ a series of paintings titled "The American People Series." The series' final painting, "American People Series 20: Die," is a ♣️ vivid critique of the violent riots of the Civil Rights era. The painting, arguably the series' most famous, gruesomely depicts ♣️ a group of men, women and children brutally attacking one another. It is now part of the Museum of Modern ♣️ Art's permanent collection.

♣️ "I became fascinated with the ability of art to document the time, place, and cultural identity of the ♣️ artist," she told the Museum of Modern Art. "How could I, as an African American woman artist, document what was ♣️ happening around me?"

♣️ Ringgold's early work did not enjoy much success at the time, driving the mother of two to take ♣️ her activism to the streets for causes such as women's representation - especially of Black women - in mainstream art ♣️ exhibitions and collections. In 1970, Ringgold was arrested and charged with desecrating the American flag for co-organizing the "People's Flag ♣️ Show," an exhibition protesting against the Vietnam War, and for artists' First Amendment right to use the flag as material. ♣️

"They ♣️ didn't keep me in for long because the media was watching," she told the New York Times of her sentencing. ♣️

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♣️ Around the same time, Ringgold began incorporating new materials into her art. She experimented with sculpting in wood and ♣️ clay, but the dust triggered her asthma eased her to shift ...