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🫰 ( sorteesportiva online ) - 🫰 A artista e autora Faith Ringgold, conhecida 🫰 por seus tapetes narrativos que entrelaçavam arte com ativismo, morreu aos 93 anos. O falecimento de Ringgold, sorteesportiva onlinesorteesportiva onlinecasa 🫰 sorteesportiva online Nova Jersey no sábado, foi relatado primeiramente pelo New York Times.

🫰 "Faith deixa um legado impactante de ativismo e advocacia 🫰 pela diversidade e inclusão que marcou profundamente o mundo da arte, inspirando incontáveis outras pessoas a usaremsorteesportiva onlinevoz como 🫰 ferramenta de mudança social", disse Dorian Bergen, Presidente das ACA Galleries, que representavam Ringgold há quase três décadas, sorteesportiva online um 🫰 comunicado fornecido à sorteesportiva online . "Sentiremos muitosorteesportiva onlinefalta e continuaremos nos comprometendo a continuar essa legacy compartilhando seu 🫰 trabalho, filosofias e vida com o mundo."

🫰 Ringgold, nascida sorteesportiva online 1930 sorteesportiva online Harlem durante o Renascimento de Harlem, draws inspiration from 🫰 the tumultuous social realities she lived through. As a student, her formal initiation in the arts was almost curtailed by 🫰 the City College of New York's regulations of the time, which restricted women to specific majors - art not being 🫰 one of them. However, Ringgold's determination led her to strike a deal with a school administrator: her art studies were 🫰 contingent upon primarily enrolling in the school of education, where women were allowed. 🫰

After earning her bachelor's degree in fine art 🫰 and education in 1955, Ringgold began teaching art in public schools while developing her own art. She later received a 🫰 master's degree in art from City College in 1959. Her early work was influenced by civil and racial unrest, and 🫰 had powerful political and social tones.

Série "The American People"

🫰 Entre 1963 e 1967, Ringgold portrayed fraught race relations in America in 🫰 a series of paintings titled "The American People Series." The series' final painting, "American People Series 20: Die," is a 🫰 vivid critique of the violent riots of the Civil Rights era. The painting, arguably the series' most famous, gruesomely depicts 🫰 a group of men, women and children brutally attacking one another. It is now part of the Museum of Modern 🫰 Art's permanent collection.

🫰 "I became fascinated with the ability of art to document the time, place, and cultural identity of the 🫰 artist," she told the Museum of Modern Art. "How could I, as an African American woman artist, document what was 🫰 happening around me?"

🫰 Ringgold's early work did not enjoy much success at the time, driving the mother of two to take 🫰 her activism to the streets for causes such as women's representation - especially of Black women - in mainstream art 🫰 exhibitions and collections. In 1970, Ringgold was arrested and charged with desecrating the American flag for co-organizing the "People's Flag 🫰 Show," an exhibition protesting against the Vietnam War, and for artists' First Amendment right to use the flag as material. 🫰

"They 🫰 didn't keep me in for long because the media was watching," she told the New York Times of her sentencing. 🫰

Quilts de Ringgold

🫰 Around the same time, Ringgold began incorporating new materials into her art. She experimented with sculpting in wood and 🫰 clay, but the dust triggered her asthma eased her to shift ...